Sound Arts Resource

BOOKS

Altman, R, (1992) Sound Theory, Sound Practice, NY, Routledge

Attali, J., (1985) Noise, the Political Economy of Music, Manchester University Press [orig. 1977] trans. Brian Massumi
Apollonio, U. ed., (2001) Futurist Manifesto, Bopstone MA, MFA Publications, trans. Robert Brain
Arnheim, R. (1972), Radio: an art of sound, NY, DaCapo, trans. Margaret Ludwig
Artaud A., (1988) Antonin Artaud, selected writings, Berkely, University of California Press, Susan Sontag ed., trans. Helen Weaver
Augaitis, D. & Lander D., (1994) Radio rethink, art sound and transmission, Banff, Walter Phillips Gallery

Barthes, R., (1991), The Responsibility of Forms, Oxford, Basil Blackwell, [orig. 1982]

Bless. B. and Salter, L.(2009) Places Speak are you Listening? Experiencing aural architecture, Oxford University Press

Brecht, B., (2001) Brecht on Film and Radio, London, Methuen, ed. and trans. Marc Silberman

Bull, M. & L. Back, (2003) The Auditory Culture Reader, Oxford, Berg
Burrow, D, (1990) Sound, Speech and Music, University of Massachusetts Press

Carlyle, A, ed. (2007) Autumn Leaves: sound and the environment in artistic practice, Paris: Double Entendre
Cox, C. & Warner, D. eds, (2004) Audio Culture readings in modern music, NY, Continuum Publishing

Deliss, C. ed., (2001) Metronome no. 8
London/Paris/Oslo/Copenhagen/Stockholm, Metronome Press

Drobnick, J ed., (2004) Aural Cultures, Banff, Walter Phillps Gallery, YYZ Book 2

Dzuverovic, L. and Hilde Neset, A. eds (2005) Her Noise, Forma

Emmerson, S ed (1986) The Language of Electroacoustic Music, London, MacMillan:
Emmerson, S, (2007) Living Electronic Music, London, Ashgate
Emmerson, S, (2000) Music, Electronic Media and Culture, London, Ashgate
Erlmann V., ed, (2004) Hearing Cultures: Essays on Sound, Listening and Modernity, Oxford, Berg
Eisenberg, E., (1988) The recording angel: explorations in phonography, London, Picador

Grundman, H. ed. (2008) Re-inventing radio: aspects of radio as art,
Revolver, Frankfurt am Main

Hiltbrunner, M., Köppl Jörg and Christoph Schenker, eds (2008) Nachtschichten: Radioarbeiten, Zürich: Edition Fink

Ihde, D., (1973) Sense and Significance, Pittsburgh, Duquesue University Press
Ihde, D., Listening and Voice, (1976) Ohio University Press

Kahn D., (2001) Noise, water, meat: a history of sound in the arts. Cambridge MA, MIT Press
Kahn, D. & Whitehead G. eds, (1992) Wireless Imagination, Sound, Radio
and the Avant-Garde, London, MIT Press: London, [orig. 1992]

Kim-Cohen, S. (2009) In the Blink of an Ear: towards a non-cochlear sonic art, Continuum
Kurjakovic, D. and Lohse, S. eds (1999) Other rooms, other Voices = andere Räume andere Stimmen, Memory/Cage, Zürich, Manchester University Press

LaBelle, B., (2006) Background noise : perspectives on sound art, NY, Continuum International
LaBelle, B., (2004) Site specific sound, Frankfurt, Errant Bodies
LaBelle, B. & S. Roden eds, (1999) Site of sound: of architecture and the ear, Los Angeles, Errant Bodies Press
Lander, D & Lexier M. eds, (1990), Sound by Artists, Banff, Walter Phillips Gallery
Landy, L., (2007) Understanding the Art of Sound Organization, Cambridge, MIT Press
Lane, C, ed.(2008) Playing with words : the spoken word in artistic practice, London : CRiSAP ; Cromford : RGAP, 2008.
Leitner, B., (1999) Sound: space. Ostfildern, Cantz Verlag
Licht, Alan, (2007) Sound art : beyond music, between categories New York, N.Y. : Rizzoli International Publications, 2007.
Linehan, A., (2001) Aural History: essay on recorded sound, International Association of sound & audio-visual archives, conference 32nd, British Library

Manning,P. (2004) Electronic and Computer Music, Oxford, Oxford University Press
Meyer, F. & Zimmermann H. eds, (2006) Varèse, Edgard; Composer, Sound Sculpture, Visionary, UK, Boydell

Norman, K., (2004) Sounding Art: Eight Literary Excursions through Electronic Music, London, Ashgate

Ong, W J, (2002) Orality and Literacy, the Technololgizing of the Word, London, 1990, Routledge

Rodgers, T. (2010) Pink Noises: women on electronic music and sound, Duke University Press

Schafer, R. M., (1994). The Soundscape: Our Sonic Environment and the Tuning of the World. Rochester: Destiny Books.
Schaub, M, (2005) Janet Cardiff : the walk book Vienna, in collaboration with Public Art Fund, New York. Köln : Walther König
Schulz, B., (2002) Resonanzen = Resonances : Aspekte der Klangkunst = aspects of sound art, Heidelberg, Kehrer

Taylor, M. (2010) ImMApp: an immersive database of Sound Art, PhD thesis, LCC

Toop, D, (2001) Ocean of Sound, London, Serpents Tail
Toop, D., ed., (2000) Sonic Boom: The art of sound, London, Hayward Gallery Publishing
Toop, D., (2004). Haunted Weather. London. Serpents Tail
Truax, Barry. (2001) Acoustic Communication. 2nd edition. Norwood. Ablex Publishing

Voegelin, S. (2010) Listening to Noise and Silence: Towards a Philosophy of Sound Art, Continuum, NY

Weiss, A. S., (2001) Experimental Sound and Radio, London, MIT Press
Weiss, A. S., (1995) Phantasmic Radio, London, Duke University Press
Wishart, T., (2002) On Sonic Art, London, Routledge

Young, R (ed.), (2002) Undercurrents: the hidden wiring of modern music London, Continuum

Writing by Artists:

Anderson, L. (2009) Nothing in my Pockets, DisVoir, Paris
Cage, J. (1978) Silence: lectures and writings, London, Boyars
Eno, B., (1996) A year with Swollen Appendices, London, Faber and Faber
Faithfull, S., (2006) Ice Blink, London, Book Works and The Arts Catalyst Harvey, J., (1999) Music and Inspiration, London, Faber and Faber
Oliveros, P. (2005) Deep Listening: a composer’s sound practice, iUniverse, NY
Sinclair, I. & Lichtenstein, R., (2000) Rodinsky’s Room, London, Granta Books
Viola, B., (1995) Reasons for Knocking at an Empty House Writings 1973-1994, London, Thames and Hudson

Soundwalks - http://cec.concordia.ca/econtact/Soundwalk/indexandra.html
Francisco Lopez – www.franciscolopez.net
Aaron Ximm, the quiet american - www.quietamerican.com
Chris de Laurenti - www.delaurenti.net
Chris Watson - www.chriswatson.net/
Hildegarde Westerkamp - www.sfu.ca/~westerka/bio.html